1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.  Related Paintings of Georg Flegel :. | Kerzenstilleben | Still Life with Bread and Confectionery 7 | Still Life (mk08) | Maus und Papagei | Still Life with Stag Beetle |
Related Artists:
Aragon jose Rafael
b.c.1795 d. 1862
Francesco di Giorgio Martini
Italian Early Renaissance Painter and Sculptor, 1439-ca.1501 was an Italian painter of the Sienese School, a sculptor, an architect and theorist, and a military engineer who built almost seventy fortifications for the Duke of Urbino. Born in Siena, he apprenticed as a painter with Vecchietta. In panels painted for cassoni he departed from the traditional representations of joyful wedding processions in frieze-like formulas to express visions of ideal, symmetrical, vast and all but empty urban spaces rendered in perspective. Francesco di Giorgio is also known for architectural designs and sculptural work for Federico III da Montefeltro, Duke of Urbino, for whom he built star-shaped fortifications. He composed an architectural treatise Trattato di architettura, ingegneria e arte militare that he worked on for decades and finished sometime after 1482;
Nuncques, William Degouve de
Belgian Symbolist Painter, 1867-1935 was a Belgian painter. He was born at Montherme, the Ardennes, France, of an old aristocratic family, After the Franco-Prussian war (1870C71), his parents settled in Belgium, and he taught himself to paint. In 1894 he married fellow artist Juliette Massin, who introduced him to the circle of Symbolist poets, who had a considerable influence on his style. He belonged to the avant-garde group Les XX and later exhibited at La Libre Esthetique. He travelled widely and painted views of Italy, Austria and France, often of parks at night. His best-known pictures, Pink House (1892), The Angels (1894), and Peacocks (1896), demonstrate the magical quality of his work. Pink House is thought to have been a major influence on Surrealism, especially the paintings of Rene Magritte. He is supposed to have said "To make a painting, all you need to do is to take some paints, draw some lines, and fill the rest up with feelings." A regular exhibitor in Paris, he was championed by Puvis de Chavannes and Maurice Denis. From 1900 to 1902 he and his wife lived in the Balearic Islands, where he painted the rugged coastline and the orange groves. After suffering a religious crisis around 1910, he painted pictures that revealed his tormented state of mind, and during World War I, while a refugee in the Netherlands, he produced only minor works. In 1919 he was overwhelmed by the death of his wife and lost the use of one hand. In 1930 he married the woman who had helped him through the crisis.